Beckett, Deleuze, and the Televisual Event (2012). Palgrove Macmillan.
Damaged Romanticism: A Mirror of Modern Emotion (2008), co-editor. D. Giles.
Karel Reisz (2006), part of the Manchester University Press' British Film Makers series.
Joseph Losey (2004), part of the Manchester University Press' British Film Makers series.
"Constructing the Non-Judgmental Event: Bruno Ganz's Affective Ethics in Knife in the Head and in The White City". (2014). In A Critique of Judgment in Film and Television, Silke Panse and Dennis Rothermel, eds. (Palgrave MacMillan, Basingstoke UK).
"Out of the Labyrinth, into the Métro: Becoming-animal, the Waking Dream, and Movements of World in Raymond Queneau and Louis Malle's Zazie dans le Métro." (2014). In The Animal Catalyst: Toward Ahuman Theory, Patricia MacCormack, ed. (Bloomsbury Publishing, London & New York).
"The Monstrous Virginity of a Predatory Trout: Deleuze's Impulse-Image and Perverse Fetishism in Joseph Losey's La Truite." In "Traces, Fragments, Remains," Contemporary French and Francaphone Studies (SITES), Vol. 18, No. 4. (Routledge/Taylor & Francis, London UK).
"The Losey-Moscow Connection: Experimental Soviet Theatre and The Living Newspaper." (2014). New Theatre Quarterly, Vol. 30, No. 3. (Cambridge University Press, Cambridge UK).
"Haunted Places." (2014). In The Ashgate Research Companion to Media Geography, Paul C. Adams, Jim Craine and Jason Dittmar, eds. (Ashgate Publishing, UK & US).
"Antonioni's Blow Up and the Chiasmus of Memory." (2013). In An Introduction to Film and Photography, Lucia Riccardelli, ed. (Cognella Academic Publishing, San Diego CA).
"Barnett Newman's Zip as Figure" (2012). Deleuze Studies, Vol. 6, No. 1. (Edinburgh University Press, Edinburgh UK).
"From Her(e) to Eternity: Time, Memory, and Immanence in the 'Postmodern' Romance." In Damaged Romanticism: A Mirror of Modern Emotion, by Terrie Sultan, David Pagel, and Golin Gardner. (D. Giles Ltd, London UK).
A copy of Colin Gardner's CV can be downloaded here.